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By Rita Vainius
Libby began stitching by working on stamped pillow cases. Her aunt recruited her to stitch the needlepoint background for a set of chair seats. Libby found it rather tedious but persevered through all 8. Throughout high school and college, Libby constructed many of her own clothes. No matter what medium she worked in, even when learning a new skill, Libby never stuck to the pattern, but always improvised with the design elements. She always intended to work as an artist, remaining determined and focused on that goal.
At Wesleyan University, in Ohio, Libby's major was Graphic Design and she went on to receive a MFA degree from Boston University in Advertising Design. Libby has put all this hard won education to good use. She also met her future husband, David, while at Wesleyan. He asked her out by using pantomime in the college library. After Libby's marriage, they moved to Illinois. Nothing in the advertising field was available so she took a job as a needlework production artist. She was soon promoted to manager of that department, enabling her to start designing some original painted canvases. Before long needlework was no longer just a job, but a passion. Libby augmented her skills by procuring Hope Hanley's Needlepoint books and experimenting with other stitches. As the materials used at the time were limited to wools, floss and Perle, the stitches themselves were the primary design element to work with. Libby's next employment was as a commercial artist with a company specializing in campaign and novelty buttons and leather goods. Though this may seem to have no relation to her needlework aspirations, it was actually a surprisingly relevant experience. Libby learned how to take an idea from conception, through the design process, into the manufacturing phase and ultimately to store displays - all invaluable skills later adapted to her own business.
Once after designing a pillow as a gift, Libby visited her local shop for some supplies. She was surprised to find that the owner, Ellie Hanke, was a former customer of the company Libby had worked for in Chicago. Ellie was looking for a custom designer and Libby fit the bill. She began needlepoint painting in a small corner of her bedroom and has continued doing much of the shop's custom work ever since. Even today, Libby works from home, often improvising to suit her business needs as she playfully confesses: "While everyone laughs at my photo studio,' it is effective. It is on my back deck where I prop up a draped blackboard on the barbeque and sit on the cooler. I pray for bright cloudy days!" Libby started teaching at Ellie's shop, Flying Colors, beginning with a paint and design class. She would have her students bring in examples of images they wanted to transfer to canvas and Libby would teach them how to do it. Over the years she discovered that, far from sabotaging her own work, her students gain an appreciation for the complexity involved in producing good hand painted canvases and usually prefer having a professional do the work.
Libby's method for customizing her Santas for guilds or shops, she explains thus: " Each Santa...has elements significant to the client. I spend many hours researching ideas provided...then I select those that can be worked into the design. I provide a preliminary sketch with explanations and suggestions... Next I transfer the... design to canvas and start stitching...The process includes the selection of threads, stitches and embellishments. Many of the Santas combine not only needlepoint but also decorative surface stitchery, ribbon embroidery, trapunto, applique or weaving. Next comes preparation on the kits contents, the written instructions with graphs and drawings, cover design and cover photo of the completed piece. Finally canvas and kits are reproduced for the client and eventually for general sales." It is easy to see why even experienced stitchers are not only willing, but eager, to leave the production of these designs to an expert.
Libby is a strict devotee of the Caron threads. When the Watercolours
line was first introduced, she grabbed every color combination
to experiment with. She especially likes the matte look of the
Wildflowers threads and the unique shine particular to Waterlilies. Libby's hobbies include doll collecting, going back to childhood. She searches for handmade dolls - those that bear evidence of the persons who created them. "Going junking" is another pastime, hunting for examples of her other obsession: Ribbon Lady pictures. Most recently, her collectibles have expanded to include "moose" objects, spurred by a close encounter with a herd of moose ambling through their campsite while on a canoe trip. "Pretty awesome and VERY smelly," is how Libby describes it. One of her latest designs incorporated a moose and this new motif has received quite an enthusiastic reception. Forget Santa, anyone for a Customized Moose?
Libby has a very full teaching itinerary set up for the rest of the year, including classes in Maryland, Pennsylvania, Delaware, California, North Carolina, Iowa, Illinois. For a complete itinerary, please contact her at:
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CARON email: mail@caron-net.com